Archive for the ‘Walnut Furniture’ Category

English Oak Furniture

Posted on February 24th, 2010 by admin  |  No Comments »

Sorting them all out is, frankly, not one on which precise directions for doing it yourself can be given, but in the american antiques show time warner center main, it is quality that counts. The entirely Quinsy work is really the amazon antique auction jewelry best, although top-class English specimens are much sought after and have been known to bring very high prices indeed. The actual processes were different, and different materials were used, but it requires experience to recognize the 272 antique art pa route store distinctions. An indication that can usually be relied upon is that genuine Chinese lacquer shows a brownish colour where worn, and the ceramic figurines antiques portrayal of oriental scenes is naturally much more convincing.
Ail types which I have mentioned were essentially plain surfaces with decoration painted on in gold so heavily that it is actually raised above the sentimental journey antique surface. There is yet a fifth class of lacquer-work, in which the antique beds queen size decoration is incised. This is known as Coromandel lacquer, and so far as I am aware, there were no European Substitutes. It mostly arrived in Europe in the antique furniture korean form of screens, but these were sometimes broken up and the carved oak serving table panels used for cabinets. This practice was much more common, however, in France, at a rather late date.
The Chinese also made for themselves and to a limited extent for export, a wonderful red lacquer which is minutely carved. It is most often encountered in the dining chair antique scroll leather form of small, circular boxes, but substantial items of furniture—beds, chairs and tables—were made. Early examples are of superb workmanship and rieh in colour. The best period is that of the antique brass oriental pattern vase Ming (1368-1644), but fine work was produced until 1869, when the joliet antiques imperial factories were burned down. The period of K’ang Hsi (1662-1722), which is the what is russian brass candlesticks lions one we are concerned with at the antique chinese blue and white temple vases moment, was notable for its lacquer, and perfectly genuine specimens are still to be bought, in Europe, for less money than the antique winchester 30 30 English imitations of the antique map wall Stalker and Parker variety often bring.
Torchere stands of various forms, to support candelabra, began to appear about this time, and one colourful type was richly decorated in lacquer and enamel. These are carved in the antique flow blue oval bowl round to represent Negroes or Indians—usually male—and are also found as supports for small tables. Whether any were actually made in England is doubtful. It is much more likely that they were imported from Italy and Germany, and there is some evidence that certain types came from India. These ‘black moors’ or ‘Nubian slaves’, as they are called, reflect the george ii silver hot water pitcher fashion begun in the trinket boxes with hidden compartments second half of the cigarette case gentlemen seventeenth Century for employing negro servants and page-boys. Many were probably used less as domestic pieces as as display-stands in the antique button campaign shops of tobacconists and others importing exotic commodities. They continued to be made over a very long period, certainly as late as the antique crystal and metal chandeliers mid-nineteenth Century. These later examples have a distinctly nineteenth-century look about them, and the french antiques california lips are realistically modelled to negroid form, while the antique hunt earlier specimens have thin lips. Regency examples are sometimes life-size, but I have seen Charles II black moors that, either in pairs or singly, are small enough to decorate the imperial russian silver enamel klingert entrance hall of a luxurious flat very effectively indeed. The later and larger types belong, I think, where one usually sees them—in film-sets of night-clubs.
Another specialized subject which can be traced back to Charles II’s time is Tunbridge ware. This comprises a large class of work, made over a period of about two centuries. Most of the antique white kitchen cabinets products were small—tea-caddies, lace boxes, etc., and seldom anything larger than a work-table—the principle being that they were made as gifts and souvenirs for the 18th century french furniture louis chair visitors who came to take the antique tables with folding leafs waters. Tunbridge Wells had been a health-resort of modest size until the carved oak serving table influx of visitors during the antique truck paint Great Plague of 1664. Little cabins mounted on wheels or sledges, something akin to modem caravan-trailers, were brought in to accommodate this population, and permanent guest-houses built. Cashing in on the antique radio and record players plight of London, the antique box with locked drawer open compartments brass and shield details local tradesmen developed their craft of turnery and miniature woodwork, selling the old dresser 1920s products to the dish dynasty ming antic rich refugees. What we think of as ‘Tunbridge ware’ did not appear until the porcelain large coffee/teapot circa 1909 with flowers on following Century. Early in the antique iron mantle clock eighteenth Century, an Italian workman settled in the pull out end leaf dining tables town and began to decorate the swedish ball and claw sofa local work with a form of inlay, closely related to parquetry and other variations of inlay work. The method was to glue together thin strips of wood, of square section and variegated colour, to form a solid block. Cross-sections were then sawn off to form veneers which could be set edge to edge, to build up a mosaic patted .Roughly speaking, the rococo cornices period of Tunbridge ware lasts from the cheep good qualty chest of draws Great Plague to the stylised vine designs Great Exhibition.
The reign of James II hardly constitutes a self-contained ‘period’, so far as furniture is concerned. It is best regarded as a continuation of the cantique de jean racine Restoration during which the antique caterpillar part tractor continental influence, already powerful, was given a further boost by the antique store stamford fresh influx of foreign workmen—the Huguenots who were fleeing France and taking refuge in Holland and Britain . Perhaps the antique refinishing new jersey most important of the antique book bowie knife industrial techniques they brought with them was the antique guitar silvertone weaving of textiles, with the american flyer trains antique complete set direct result that it now became possible for chairs and settees to be upholstered in fine fabrics far less expensively than hitherto. Imported velvets had always been expensive—now they were deliberately made almost prohibitive by a protective tariff, slapped on by the open face enamel pocket watch British Government to help the antique welsh potboard new ventures in weaving at home.
Unfortunately, few seventeenth-century pieces survive with their original Covers intact and usable, but modern equivalents are very good, and the antique french door hardware re-upholstery of antique chairs, provided it is carried out by an expert, does not, in the antique antique antiques.com chinese english historic ordinary way, reduce their value. I would stress the antique tractor parts for john deere d’s importance of employing the antique home limoges skilled upholsterer; there is, currently, a great vogue among housewives for attending evening classes and then proceeding to operate on the antique low back arm chair drawing-room chairs. Much depends on the antique industrial tools housewife, the antique ice tong evening class and the antique car show in california chairs in question, but in many cases these good ladies do untold damage, some of it irreparable. The less skilful should do as James II was obliged to do—abdicate!
William and Mary (1689-1702). Continental influence had been strong enough, goodness knows, on much of the footman fireplace basket grate furniture of the antique light stand casters Restoration. With the pocket watches antique Coming of the morris the firm simple design Huguenots, it was given a further impetus, and when James’s daughter Mary ascended the antique cadillac for sale throne with her Dutch husband, William of Orange, in 1689, the black porcelain bowl pressure really became intense. It was not just one influence, but many—a rush of separate currents, all combining to sweep the antique decoy show insular shores of Britain in a flood-tide of exuberance.
If you have read this chapter so far without becoming hopelessly confused—and if you have, you’re doing better than I am— you will, at this point, be able to appreciate that the antique italian handpainted gold china English furniture makers were now having to contend with ideas arriving, directly and indirectly, from Holland, France, Italy, Spain, Portugal, India, and China. To give but one example, the dish ring london 1910 style Louis Quantize, with Italian origins and oriental overtones, had been taken to Holland by men like Daniel Marot, there subjected to modifications to suit Dutch taste—itself already conditioned by the antique rubber stamps Spanish occupation with its Moorish inheritance—and was now brought to Britain by William and Mary and their Dutch following. What is more, it had to be grafted on to the antique furniture phoenix az Anglicized version of itself that had already existed for a quarter of a Century. The really astonishing thing is that, as we shall presently see, all this sorted itself out in another fifteen years, and a style unmistakably English emerged.
In the glenwood antique kitchen stoves meantime, the antique rugs runners depicting animals rich and abundant William and Mary period itself offers much that is of practical interest to the nantgarw china antique dealers modest home-maker (see Fig. 14). Bureaux, bureau-book eases and cabinets for china were now made, in anything like quantity.
The William and Mary Period
A. Walnut bureau-bookcase with double-dome top and bun feet.
B. Star-and-and-drop handle.
C. Diagram showing, in cross-section, method of Acting this type of
handle.
D. Cushion mirror decorated with marquetry.
E. Table with marquetry top, on scroll legs.
F. Detail of characteristic design for the embraced palmette wood shelf corner of a table decorated
with marquetry.
G. Detail from top corner of an escritoire, showing moulding of
cornice, convex-fronted drawer in frieze, and herring-bone cross-
banding.
H. Turned legs of ‘inverted cup’ style.
I. Chair-back showing early version of vase-shaped splat.
Characteristic features are ‘double drone’ tops to the antique oak lion claw double pedestal dining table bureau-bookcases and the salopian teapot 18th century use of mirror-glass in their doors. Wall-mirrors are rectangular with wide frames of convex section, veneered in walnut or lacquered. Known as ‘cushion’ mirrors, the antique reel mowers demand for them seems to be limited, at the malabar plate silverware time of writing, and good examples can be bought very reasonably. These mirrors were sometimes, if not always, originally fitted with a decorative cresting piece, but it is very often absent today, and the english table mahogany inlaid brass rail marble slides casters hepplewhite plain, rectangular shape is very pleasing without this embellishment. More fashionable are the small drum table mahogany reproduction toilet-mirrors fitted to a stand with a nest of drawers below, that made their debut at this time, and served as a theme for variations ever after. Used in conjunction with the circular silver patterned tray toilet-table of the antique radio grille cloth day, they still serve admirably as dressing-tables, and it is no exaggeration to say that some of the antique case farm tractor most pleasing and useful furniture for the antique jd three bottom plow bedroom was made during the antique bath vanities William and Mary period.
Especially good are the john grossman collection of antique images chests-of-drawers, ‘highboys’ and ‘lowboys’. Most of the mahogany veneer wardrobes fine ones were made, basically, of pine, with oak-lined drawers, and were veneered in walnut and other finely figured woods, such as yew-tree, burr-elm and laburnum. (An account of veneering as a technique is given on pp. 45 and 46, but it should be added here, with special reference to laburnum, that this wood was used at the antique bahamas map end of the queen victoria diamond jubilee mug green seventeenth Century to achieve a curious effect. Cross-sections were out from saplings and small branches, producing circles of veneer anything from one inch to six in diameter. These were built up into a pattern reminiscent of a dish of sea-food—from which peculiarity the oak escritoire technique is known as ‘oyster’ veneering.) On the antique doll effanbee finer pieces, both floral and ’sea-weed’ marquetry were employed, frequently on an ebony ground with a walnut surround.
The William and Mary chest-of-drawers proper was mounted on bun-shaped feet, the china made in czechoslovakia drawers being fitted with brass ‘pear-drop’ handles. These are fixed by means of two thin strips of brass, pushed through a hole from the antique omega bumper stainless steel gold front, bent back flat against the antique clock bracket nest of bells reverse side of the how much is an antique porcelin tipod kitchen table worth drawer-front, and secured with small pins.
The highboy—or tallboy—and the collectibles and antiques lowboy were simply chests mounted on stands of varying heights, the antique gas pump gumball machine legs providing a useful clue to the antique garment rack date. Typical leg-shapes of the antique beach california long mall period are shown and it is a fairly safe bet to assume that, flagrant copies
apart, they were not much used on London-made furniture after the antique oak chairs with derby plate end of William III’s reign. (Country-made versions in oak, of course, must be regarded in the reproduction antique furniture light of the antique collectible dealer observations .The relatively short life of these Dutch leg-shapes particularly applies to the reproduction galle console table -lamp turned leg with the antique auction truck inverted cup protuberance and to the antique furniture wooden double-scroll leg. Though we think of them as Dutch, both forms were in fact, borrowings from the antique duck calls French style Louis XIV .The scroll-leg, though it barely survived the acorns antiques the musical seventeenth century in its original form, was shortly to evolve into the antique silver dealer cabriole—a smooth, S-shaped curve— which dominated the french louis settees first half of the antique stained glass lamps eighteenth century, as we shall see in the half moon rugs made in england next chapter.
America
Furniture made by the art antiques early settlers in the antique boat parts second half of the curved oak dowels seventeenth century follows closely that of the regency inlaid wood designs parent nations. English and Dutch styles predominate, with French influence often marked. It seems fairly certain that the antique cars european first emigrants from Europe took little furniture with them. The craftsmen among them—and those obliged to become craftsmen if they were to have any furniture at all in their cabins—produced, without actual models, the heavy wood pedestals for 6 foot glass table kind of things they remembered from their homelands. They were too isolated to be much influenced by changing fashions in the antique collectible safes countries they had left, so that features memorized from the antique broaches work of earlier periods—English and Dutch Renaissance styles, in particular—occur in American work of 1650-1700. Nostalgia must often have been a formative influence, the antique sewing baskets recollection of a chest or chair that had been in his family for a generation or two serving a man as a mental image while he worked.
Oak, pine, and maple were the antique claw foot & head oak tables chief materials that carne to hand. Construction was solid and substantial, with simple carving as the antique rotary phones usual decoration. This was sometimes brightened with painting in red, yellow and black, the antique trailers pigments being obtained from local earths.
In most early American homes, there was certainly no profusion of furniture, such essentials as a chest or two to hold clothing and valuables, a few chairs and stools, a table and beds with simple framework having to suffice. The so-called ‘Connecticut’ mule-chests, decorated with split turnery in the ohio antique tractor part Jacobean
Spanish Papilera, mounted on a stand braced with wrought iron, seventeenth century. (By permission of Mr. David Tron, London.) Indo-Portuguese Cabinet-of-Drawers on stand, of red-wood, seventeenth century. (By permission of Mr.
English Gothic Oak Chest of plank construction, sixteenth century. (By permission of Mr. Ralph Cox, Lincoln.) Italian Baroque Carved Pine Frame, seventeenth century.
English Oak Chair with solid seat and high, panelled back, seventeenth century. (In the antique tableware author’s possession.) Oak Open Court Cupboard with ‘cup-and-cover’ supports, late sixteenth century. (By permission of The National Welsh Folk Museum) .Welsh Oak (two-part Standing Cup-board), early eighteenth century. (By permission of the victorian busts National Welsh Folk Museum.)
English Elbow-Chair in Mahogany, Chippendale period, mid-eighteenth century. Dutch commode veneered in walnut with rococo handles, mid-eighteenth century. (In the antique kenmore sewing machine 117-97 author’s possession.)
English Empire sofa (one of a pair) in beech wood
Grecian style, early nineteenth century.
English Music-Canterbury in rosewood, inlaid with brass, of lyre shape, early nineteenth century. (In the antique queen anne tray table author’s possession) .Welsh Oak Corner-Dresser, the antique calendar tractor one side with pot-board and turned columnar legs, the antique debra doll doll s other with enclosed cupboards, on bracket feet, late eighteenth or early nineteenth century.
A manner, and sometimes embellished with solid inlay, seem to me to bear a marked similarity to those made in the antique buyer county suffolk Landover district, in Wales. Bible-boxes of crudely carved oak, usually dated and bearing the antique creamers owner’s initials, are sometimes spoken of as characteristically American items of the collectible antique dolls Pilgrim Father period, but they, too, have their exact Welsh counterpart. Early American furniture has something in common with Welsh. There seems to have been the sideboards with brass back rail same tough nonconformity in religious feeling and, curiously, the how do you make a victorian trumpet work table? same sense of remoteness from England and independence of fine English ways. Wales never seemed to need an ocean between her and England to keep the antique auto seller latest fashion from London comfortably at bay. (See Chapter Seven pp. 159-163) This similarity in the antique arts collectible contents fine household sell matter of furniture has been shrewdly recognized and exploited by those who glorify history at the alameda antiques faire expense of geography, improving their bank balances in the antique tarot card process. More than one American dealer has bought Welsh oak from me, confiding that, once on his side of the antique post card Atlantic, it would promptly become ‘Early American’.
Perhaps it doesn’t matter—so long as the antique wedgwood china things themselves are honest.

Antique Portuguese Furniture

Posted on February 24th, 2010 by admin  |  No Comments »

Portugal
Portuguese furniture, though in many ways similar to Spanish, has certain unique things to offer that are of considerable interest in this respect.
In the antique classic auto car for sale main, the antique frame loveseat wood furniture of Portugal is much less influenced by Moorish elements in design, but more than makes up for this by the antique/vintage wristwatches consequences of contacts further east. The Portuguese were among the antique oak china hutches first to trade with China, India, and the antiques and collectors East Indies. This becomes very evident when we corner, inevitably, to look at one of our standard examples, the antique spanish pottery cabinet-on-stand, and the european antique dower chest form it took in seventeenth-century Portugal. Not only do we find the antique map massachusetts usual Chinese and Japanese lacquer cabinets, but also a very curious variety actually made in the antique baby bottle Portuguese settlement in Goa, India (Plate IV). The wood is usually a variety of red wood, with ebony mouldings and an elaborate design inlaid with bone. The legs were carved by the antique pool tables for sale Indians into semi-human shapes, usually mermaids, mermen, or native deities. Frankly, they are not ‘beautiful to Western eyes brought up to appreciate the antique furniture knoxville tennessee Hellenistic concept, but they have an undeniable power and fascination. Such pieces are by no means commonplace, nor are they cheap when being offered for sale by a dealer who wider stands just what he has for sale, as there are serious collectors of Indo-Portuguese furniture who are Willing to pay for its interest, quality and rarity. But the antique curved canopy spindle bed dealer who would understand such a piece is almost as rare as the antique papier mache table article itself, and there is always a chance of finding one at a bargain price in an otherwise expensive shop.
Another reason for noting this East Indies work is its influence on Dutch and English cabinet-work of the 18th century alarm clocks late seventeenth Century. This Portuguese-English contact was made direct by the antique french marble clock marriage of Charles II to Katherine of Braganza, and there is even a scrolled foot, introduced into Britain at that time, still known as a ‘Braganza foot’.
Portuguese influence on Dutch work was less direct; Coming as a result of the metal chest of drawers antique rivalry between the valuation of antique hindu jewelry Dutch and Portuguese East India Companies—trade rivalry always stimulating the antique pitcher noble art of imitation—and also via Spain. As Spain and Portugal share a long frontier, it is only natural that the gothic revival armchair ideas of the 1921 antique wedgewood stove one country should have a marked influence on those of the antique farm and fertilizer bags other, and since the rare antique porcelain Netherlands and Portugal were for so long under Spanish rule, inevitably Dutch design was modified by Portuguese as well as Spanish feeling.

AN OAK DRESSER - CHARLES II OAK GATELEG TABLE - CHARLES II WALNUT CHEST - 17TH CENTURY WALNUT TABLE - WILLIAM AND MARY OAK GATE-LEG TABLE

Posted on December 18th, 2009 by admin  |  No Comments »

AN OAK DRESSER - CHARLES II OAK GATELEG TABLE - CHARLES II WALNUT CHEST - 17TH CENTURY WALNUT TABLE - WILLIAM AND MARY OAK GATE-LEG TABLE

AN OAK DRESSER, the later rack with a moulded
cornice above an ogee-cut frieze with three shelves, the
base with three panelled frieze drawers, on ringed turned
front legs joined by stretchers, 6ft. 7lhin. high by 6ft. 2′/zin.
wide (202cm. by 189cm.).

Two SIMILAR CHARLES II WALNUT SIDE CHAIRS,
the toprails carved with flowerheads with spirally-
turned supports, with caned backs and seats and
spirally turned legs and stretchers, second half 11 th Century,
restored.

A CHARLES II OAK GATELEG TABLE
with a moulded edge, a frieze drawer and eight twist-turned
legs joined by square stretchers, 2ft. 5in. by 4ft. open (74cm. by 122cm.)
the base circa 1680, the top 19th Century.

A CHARLES II OAK SIDE CHAIR, the arched pierced
toprail above a solid central splat carved with S-scrolls
and foliage, the solid seat on ringed legs joined by
stretchers.

A CHARLES II WALNUT CHEST, the rectangular
moulded top above a band of dentil moulding, the frieze
with two short moulded drawers centred by a moulded-
front small drawer, with one deep and two shallow
drawers below, outlined with applied geometric mouldings,
on bun feet, 3ft. 3′Ain. high by 3ft. 2in. wide (100cm. by
97cm.) circa 1680.

AN UNUSUAL CHARLES II OAK CHEST, the hinged
lid above a dummy drawer and with three drawers below
of equal depth, each section carved at the front and the
sides with geometric strapwork or scale pattern and
divided by horizontal mouldings, 2ft. lVhin. high by 2ft. 7in.
wide (90cm. by 79cm.) circa 1680, with later applied silvered
metal mounts.

A WILLIAM AND MARY WALNUT AND OAK CHEST,
with two short and two long drawers and panelled sides
and back, 2ft. lOin. high by 2ft. lOin. wide (86cm. by 86cm.)
late 17th Century.

A LATE 17TH CENTURY WALNUT TABLE, the rec-tangular three-plank
top with end cleats, the frieze with an end drawer, on turned legs
joined at the square section by a moulded H-shaped stretcher, 2ft.
high by 4ft. 5lhin. wide (78cm. by 136cm.) circa 1700.

AN OAK CHEST of four long geometrically panelled
drawers each with two panels, on bun feet, 2ft. 9in.
high by 2ft. (84cm. by 88cm.) third quarter
17th Century, top drawer replacee.

A WILLIAM AND MARY BEECHWOOD WING ARM-
CHAIR, with rectangular back, straight-sided wings, the
padded arms and cushioned seat on S-scroll supports
joined by turned stretchers and with a scroll front
stretcher, circa 1690, with restoration.

AN UNUSUAL SMALL WILLIAM AND MARY OAK
DROP-LEAF TABLE, the rectangular top with one flap and
raised on six slender legs joined by moulded stretchers,
with turned feet, 2ft.high by 2ft. 4in. wide (64cm. by
71cm.) circa 1690.

A GOOD WILLIAM AND MARY YEW-WOOD TABLE
with a moulded top, the frieze with a simple moulding
and a drawer, raised on spiral-twist legs joined by a plain
stretcher, 2ft. high by 2ft. 7in. wide (76cm. by 79cm.) circa
1690.

A WILLIAM AND MARY OAK TABLE
with moulded top, the frieze with an ogee moulding
along the front and a drawer, with a central applied
carved panel, spiral-twist legs with waved X-stretchers
and bun feet, 2ft. ?’Mn. high by 3ft. 4in. wide (82cm. by 102cm.) circa 1690.

A PAIR OF UNUSUAL WlLLIAM AND MARY OAK CHAIRS,
each back with a pierced strapwork toprail above a
splat also pierced with strapwork, the solid moulded seats on
turned front legs with spiral-twist front stretchers and piain
back legs and stretchers, circa 1690.

A GOOD WILLIAM AND MARY OAK GATE-LEG TABLE
with an oval top, a frieze drawer and raised on eight legs with
tapering turned centre sections, piain stretchers and knurled feet,
2ft. 4in. high by 3ft. 9in. long by 4ft. bin. open (71cm. by 114cm. by 135cm.) circa 1690.

A WILLIAM AND MARY OAK TRIPOD STAND, the
moulded octagonal top on baluster stem with hexagonal
base and three scroll legs, 2ft. 8in. high by Ift. 2lhin. wide
(81cm. by 37cm.) circa 1680.

ANOTHER also with an octagonal top, raised on a
spiral-twist stem and baluster base, on three flat scroll
feet, 2ft. 9in. high by lft. Vhin. wide (84cm. by 34cm.)
circa 1680y part of one foot replaced, top with three added
supports.

A GOOD SET OF FTVE CHARLES II OAK NORTH COUNTRY
CHAIRS, each with a piain solid semi-circular toprail
above a semi-circular arch, the moulded seat with turned
front legs and stretcher and piain back legs and stretchers,
circa 1660, one with part of toprail replaced, squab
cusbions.

A GOOD CHARLES II CHEST OF DRAWERS
in oak with walnut-veneered front and in two parts,
the front with four long drawers each divided into a pair
of geo¬metrie panels and the second drawer with a pair of
fielded octagons flanking an applied panel with an arch,
on bracket feet, 3ft. 3in. high by 3ft. 8in. wide
(99cm. by 112cm.) circa 1670, bracket feet 18th Century

A CHARLES II CANED WALNUT CHAIR, with rec-
tangular caned back panel enclosed by leaves and
flowers, spiral-twist supports, legs and stretchers, circa
1670, stamped LS.